{"title":"Cine Lenses","description":"\u003ch2 id=\"overvideoobjectief\"\u003eEverything you need to know about video lenses\u003c\/h2\u003e \u003cp\u003eVideo lenses are ideal for moving images. These are also called film recordings.\u003c\/p\u003e \u003ch3\u003eWhat is a video lens?\u003c\/h3\u003e \u003cp\u003eAs the name suggests, a video lens is especially designed for video cameras. A video lens is also known as a cine lens, cinema lens or objective lens. These lenses have been designed to meet the particular requirements of moving images. Take for example, design, focus control, zoom control and light \u0026amp; aperture control. Below we have outlined the key features to help you find the right one for you.\u003c\/p\u003e \u003ch4\u003eDifferent lenses\u003c\/h4\u003e \u003cp\u003eAll lens types are covered in the range of video lenses available. Prime, zoom, telephoto lenses. These lenses work in the same as camera lenses. As such, the prime lens still has a fixed focal distance, and with a telephoto lens you can zoom in from a great distance away. The one you choose depends on the creative path you're on. If you're making reports then you'll no doubt quickly reach for a zoom or telephoto lens. Prime lenses are more suitable for taking stabler footage.\u003c\/p\u003e \u003ch4\u003eFocus = key\u003c\/h4\u003e \u003cp\u003eWith focus you lead the scope through your narrative. You have to be able to switch from one subject to another, but also be able to track your subject without the image blurring. That's why accurate focus control comprises one of the key features to look out for when buying a video lens. You must be able to retain proper focus, even when zooming in or out. The lenses that match this brief are also known as parfocal lenses. You can control your focus using the focus ring on the lens. These are infinitely adjustable, for optimum precision. You will see this expressed as an ft value.\u003c\/p\u003e \u003ch4\u003eLight and aperture control\u003c\/h4\u003e \u003cp\u003eCinema lenses are not aperture-controlled. Instead, these lenses use iris rings with T stop settings. T stop stands for transmission. T stop values indicate the amount of light that is actually transmitting through your lens to your camera. With F stops there is a formula that calculates how much light needs to transmit through the lens, based on the focal distance, divided by the exit pupil. Please note: T stops don't take any loss of light into account caused by the various glass elements. So, the safer option are F stops, yet T stops give you enhanced accuracy.\u003c\/p\u003e \u003ch4\u003eDesign\u003c\/h4\u003e \u003cp\u003eVideo lenses differentiate themselves from camera lenses with their optical design and quality. You'll see this for yourself soon enough, when working in tricky lighting conditions. In part, this is down to the significant investment in reducing image distortion in the lens. You see, vignetting for example, is far sooner discernible in moving images than in photos. This relates to reflection and refraction. This in turn makes lens coating, among other things, vitally important. Usually, this results in a decrease in lens contamination.\u003c\/p\u003e \u003ch3\u003eWhat brand to choose?\u003c\/h3\u003e \u003cp\u003eDo you have a particular brand in mind? We have various top brands:\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"color: #ff6200;\"\u003e\u003cspan style=\"color: #ff6200;\"\u003eXeen\u003c\/span\u003e\u003c\/span\u003e | \u003cspan style=\"color: #ff6200;\"\u003e\u003cspan style=\"color: #ff6200;\"\u003eCanon\u003c\/span\u003e\u003c\/span\u003e | \u003cspan style=\"color: #ff6200;\"\u003e\u003cspan style=\"color: #ff6200;\"\u003eSigma\u003c\/span\u003e\u003c\/span\u003e | \u003cspan style=\"color: #ff6200;\"\u003e\u003cspan style=\"color: #ff6200;\"\u003eSLR Magic\u003c\/span\u003e\u003c\/span\u003e | \u003cspan style=\"color: #ff6200;\"\u003e\u003cspan style=\"color: #ff6200;\"\u003eSamyang\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"samyang-35mm-t-1-5-ed-as-umc-canon-vdslr","title":"Samyang 35mm T\/1.5 ED AS UMC Canon VDSLR","description":"The Samyang 35mm T\/1.5 VDSLR lens is a fast wide-angle lens with manual focus. It is optimized for filming with SLR cameras.","brand":"Samyang","offers":[{"title":"Default Title","offer_id":64422050955641,"sku":"12179725","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0960\/5064\/3321\/files\/12179725_1.jpg?v=1788307236"},{"product_id":"samyang-135mm-t2-2-vdslr-canon","title":"Samyang 135mm T2.2 VDSLR Canon","description":"The 135mm T2.2 AS UMC VDSLR lens from Samyang is a manual focus prime lens. It offers a maximum aperture of T2.2 for effectively capturing low-light situations. The circular 9 blade aperture provides attractive bokeh. ","brand":"Samyang","offers":[{"title":"Default Title","offer_id":64423616545145,"sku":"12204063","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0960\/5064\/3321\/files\/12204063_1.jpg?v=1788319162"},{"product_id":"samyang-135mm-t2-2-vdslr-sony-e-mount","title":"Samyang 135mm T2.2 VDSLR Sony E-Mount","description":"The 135mm T2.2 AS UMC VDSLR lens from Samyang is a manual focus prime lens. It offers a maximum aperture of T2.2 for effectively capturing low-light situations. 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Thanks to its ultra-fast T1 aperture and short focusing distance, the lens can produce a refined bokeh. 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